Ceramics

Ceramics

Within the field of ceramics, China was the great source of inspiration for the Middle East. Although Muslim potters never managed to make coveted porcelain, they did invent tin-glazed earthenware: faience. They further developed fritware, introduced lusterware and underglaze painting, and mastered many other decoration techniques.

In 13th-century Iran, there were so many different types of ceramics that no comparable variation was found until the 19th century, in Europe.

Although ceramics can break, it does not decompose and cannot be recycled, so this is the group of works of art from the Islamic world that is best preserved.

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ISLAMIC ART: CERAMICS

Islamic Art: Ceramics

Item no. 19 of 52

Fritware bowl, with polychrome decoration and gold leaf in and over an opaque, white glaze. Minai type

Iran, Kashan; c. 1200
H: 8.5; Diam: 21.7 cm

Minai means enamel in Persian, and the term refers to this type of pottery’s colorful decoration, which lies both in and over the glaze, here further enriched with gold. Like lusterware, it had to be fired twice and was consequently costly.

The finest-quality minai features the most exquisite painting of the period – elegant, refined art for the upper class, masterfully composed, innovative, and coloristically pleasing. The figures are the Turkish-Mongol type that is found in all the Persian art of the day and reflected the ruling class’s ethnicity.

Inv. no. 34/1999