Glass

Glass

The Roman Empire had fostered unexcelled glassmakers, but many of their techniques were forgotten with its decline. Over the centuries, nearly all of the techniques were revived and some further developed by Muslim glassmakers.

The many methods include the millefiori technique, overlay glass, sandwich glass, marvered and pinched glass, luster and enamel decoration, various kinds of cutting and engraving techniques, and methods for making simpler types, such as blown and molded pieces.

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ISLAMIC ART: GLASS

Islamic Art: Glass

Flacon, yellowish and blue-green glass
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Flacon of blue glass with marvered white-thread decoration
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Bowl, blue-black and white glass, millefiori technique
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Beaker, greenish, colorless glass, with engraved decoration
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Bottle, blue-green glass with luster decoration. Modern neck
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Fragment of a glass bowl, decorated with gold and blue enamel between two layers of glass. (Sandwich glass)
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Bottle, colorless glass, facet-cut
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Bowl, yellowish glass, with “pinched” decoration
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Bottle, yellowish glass, with facet- and relief-cut decoration
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Bottle, greenish glass, with relief-cut decoration
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Bottle, colorless glass, with relief-cut decoration in a green overlay (modern neck)
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Bottle, colorless glass, with relief-cut decoration and a green and brown overlay
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Jug, colorless and blue glass, with “pinched” decoration
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Cup, yellowish-green and aubergine-colored glass, partly blown in a mold
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Bottle, brownish glass, partly blown in a mold, with applied thread decoration
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Beaker, aubergine-colored glass, with marvered white thread decoration
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Basin, colorless glass, decorated with enamel and gilding
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Dish, colorless glass, decorated with enamel and gilded
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Huqqa (water pipe) of emerald-green glass decorated with gold and yellow enamel
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Rosewater sprinkler, yellow-green glass, partly blown in a mold
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