Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

EXPLORE

EXPLORE
Close-item Close-overlay
ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 32 of 50

Miniature pasted on an album leaf. “Portrait of Sultan Ibrahim Adil Shah II of Bijapur”

India, Deccan, Bijapur; c. 1590
Portrait: 27 × 16.3 cm

This impressive three-quarter-profile portrait of Ibrahim Adil Shah at about 19 years of age is a unique masterpiece in every way. Portraiture was only in its infancy in Mughal India at this point, and such a monumental depiction from the Deccan must undoubtedly be attributed to the direct influence of printed European models.

Ibrahim (1579-1626) ascended the throne as a boy, but did not begin to rule until around 1590. He was a great patron of all the fine arts in Bijapur, and the inscription on the splendid turban extols the young man to the heavens, comparing him to the patriarch Abraham and to King Solomon.

Inv. no. 105/2007