Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 7 of 50

Miniature from a copy of Firdawsi’s Shah-nama. “Mubad-i Mubadan Brings Food to the Captive Vizier Izad-i Gashasp”

Iran, Tabriz (?); between 1300 and 1340
Leaf: 24 × 18.5 cm

The manuscripts that were made in the Mongol or Il-Khanid period have both features from “Arab painting” and elements from Far Eastern art. This painting is quite Arab in expression, while scenes with warriors and landscapes display Chinese inspiration to a higher degree.

The first extant copies of Firdawsi’s famous 11th-century Persian epic, the Book of Kings, were written under the Il-Khanids. This miniature comes from one of the “small Shah-namas” that are considered by some to be precursors of the period’s more mature masterpiece, the great “Demotte Shah-nama.”

Inv. no. 12/1990