Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 19 of 50

Partly colored drawing pasted on an album leaf. “Young Prince with Brands on his Arm”

Iran, Isfahan; c. 1630
Drawing: 15.2 × 5.7 cm

This drawing was signed by Riza-i Abbasi, the most influential Persian artist during the reign of Shah Abbas and throughout the 17th century. The young man with the round chin – identified as Prince Kamran Shah Hindi – is a good example of the ideals of a new era. Album leaves with charming but slightly decadent courtiers seem to have dominated the artistic scene, supplemented by portraits of Sufis, wrestlers, and other personages.

Branding oneself was actually a Sufi practice, which was intended to demonstrate spiritual strength, but on a secular level it was a sign of devotion to one’s beloved.

Inv. no. 139/2006