Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 22 of 49

Miniature on an album leaf. “A Scribe on a Terrace”

Iran; 1169 H = 1755
Miniature: 18.8 × 11.8 cm

Muhammad Riza-i Hindi – who came from India, as his name indicates – painted, signed, and dated this finely modeled portrait of a young calligrapher, whose identity is unknown. He is seated on a cushion placed on a carpet-covered terrace, in a characteristic scribe’s position, without a table. Instead, he has a writing pad on his lap holding a piece of paper and a makta, a pen rest used in cutting pens. In his right hand he holds his penknife and in his left the newly cut pen, whose point he seems to be inspecting. In front of him are his spherical inkwell, a cup and saucer, and a couple of Arabic dictionaries, whose titles are written on the edge.

Inv. no. 15/2002