Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 20 of 50

Miniature pasted on an album leaf. “The Judgment of Solomon”

Iran, Isfahan; 1075 H = 1664
Miniature: 21.6 × 14.9 cm

The only Persian artists in the 17th century who were able to break with the overwhelming influence of Riza-i Abbasi were those who were inspired by the greater naturalism that characterized not only European but also Indian painting.

Shaykh Abbasi was one of them, and in this signed and minutely detailed painting, he set the court of Solomon in 17th-century Iran. The wise king, who is considered to be a prophet by the Muslims, is not only surrounded by the usual supernatural divs and peris, but also by Indians in flat Mughal turbans and Europeans in cavalier hats. The landscape is naïve, but naturalistically rendered, and the figures are carefully modeled in light and shadow.

Inv. no. 162/2006