Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

EXPLORE

EXPLORE
Close-item Close-overlay
ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 44 of 50

Miniature pasted on cardboard. “Maharaja Ajit Singh of Jodhpur”

India, Marwar; mid-18th century
Miniature: 38 × 52.5 cm

This large miniature is a posthumous portrait of Maharaja Ajit Singh (1707-1724), his sons, and his court. The Great Mughal Aurangzeb refused to recognize him as the heir to the throne when he was a child, but after Aurangzeb’s death in 1707, he became one of Rajasthan’s mightiest Hindu princes, who at times served as the Mughals’ viceroy in western India and at others was their adversary.

Here we see him in a palace garden set in a lush park. The formal water garden, with flowerbeds, canals, and fountains, and the palace and its pavilions form a slightly awkward framework for the main scene. The simplified, two-dimensional style, with clear, intense colors, is typical of much of the painting from Rajasthan.

Inv. no. 19/1981