Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 41 of 50

Miniature. “Thakur Dawlat Singh Among Courtiers”

India, Delhi; c. 1825
Miniature: 27.6 × 38.5 cm

European influence on Indian painting was tangible from the 16th century, but at the end of the 18th, it became even more pronounced. French and British tradesmen and civil servants commissioned work directly from Indian artists, and they expected a result that resembled European art. This was the beginning of Company painting, named after the East India Company, the commercial forerunner of Britain’s takeover of India in 1858.

The Indian leader from Jodhpur and his men, all of them identified by name, were rendered painstakingly and with great individuality. The painting has been attributed to Ghulam Ali Khan.

Inv. no. 19/1992