Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 6 of 50

Miniature from a furusiyya manuscript. “A Mamluk Training with a Lance”

Egypt or Syria; c. 1500
Leaf: 24 × 16.7 cm

The Mamluks were a dynasty of professional slave soldiers for whom the art of war was of the greatest importance. They cultivated a special type of writing, the furusiyya, which primarily dealt with the horse and its use in war, but also infantry drills with the sword, the lance, the bow, and Greek fire. Such writing was often based on earlier Abbasid treatises.

The Mamluk shown here training with his lance is wearing a characteristic violet fur hat (zamt), but otherwise the depiction has limited aesthetic ambitions. It is an illustration for a didactic work, nothing more.

Inv. no. 19/2001