Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

EXPLORE

EXPLORE
Close-item Close-overlay
ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 29 of 50

Miniature pasted on an album leaf. “The Great Mughal Jahangir’s Darbar

India, Mughal; c. 1620
Miniature: 32 × 22 cm

The close contact that had existed between ruler and subject in the simpler steppe societies had disappeared in the Mughals’ extensive empire. For this reason, it was important for the people to be able to see the ruler or even appear before him in an audience – the darbar.

On a throne under a tent we find Jahangir (1605-1627), surrounded by his courtiers and flanked by two yurt-like tents that hold noble female relatives. The realistic, but also quite stiff rendition of the figures might be explained by the fact that many individual portraits of leading courtiers were patched together in a presentation of this kind.

Inv. no. 20/1979