Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 5 of 50

Miniature from a copy of al-Jazari’s Kitab fi marifat al-hiyal al-handasiyya. “Machine Pouring Wine”

Syria or Egypt; 1315
Leaf: 31.5 × 22 cm

The mechanical genius al-Jazari was in the service of the Artuqids in Diyarbakir when he finished his Book of Knowledge of Ingenious Mechanical Devices in around 1205. It contained descriptions of humanoid metal robots like this one, but also door handles and combination locks quite similar to examples in the David Collection (38/1973 and 1/1984).

The manuscript was copied in 1315, and although the costume with the tiraz band around the sleeves and the distinctive hat are in accordance with contemporary Muslim fashions, the style, as in so much other “Arab painting,” was influenced by the Christian painting tradition, as shown e.g. by the physiognomy, the halo, and the folds of the kirtle.

Inv. no. 20/1988