Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 15 of 50

Miniature from a copy of Firdawsi’s Shah-nama. “The Battle Between Kay Khusraw and the King of Makran”

Iran, Lahijan; 1494
Leaf: 34.5 × 24.5 cm

Within the colorful Turkmen painting done in western Iran in the 15th century, the “Big Head Shah-nama” is in a class of its own. Its name comes from the unusually monumental rendition of the figures in many of the miniatures, like this one. In addition, the scenes are exceptionally colorful and dynamic.

The manuscript was commissioned by Karkia Mirza Ali, a minor prince in the province of Gilan, south of the Caspian Sea. He made a name for himself in history by protecting the young Ismail, who was to found the Safavid dynasty a decade later.

Inv. no. 22/1979