Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 31 of 50

Miniature. “A Lady with Flower and Fly Whisk”

India, Mughal; c. 1630
Miniature: 25 × 14 cm

A specific genre that the Mughal artists developed to perfection in the 17th century was portraiture. There is an entire gallery of true-to-life depictions of men, from the Great Mughals themselves to their ministers and courtiers. Women were a different matter. Artists naturally did not have access to Muslim harems, and the many depictions of women in Mughal miniatures are consequently idealized.

This sensual rendition must thus be considered a personification of the period’s ideal of beauty. The clinging or partly transparent garments give us more than an intimation of the sweetness that could be found in the closed world of the harem.

Inv. no. 23/1982