Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 24 of 49

Miniature from a copy of Firdawsi’s Shah-nama. “Rustam Kills the Turanian Hero Alkus with his Lance”

India; c. 1450
Leaf: 32 × 26 cm

Very little Islamic book painting has been preserved from the sultanate period before the advent of the Mughals in 1526. This miniature comes from a manuscript made by an artist who was highly influenced by Jain art from western India. Both the intense palette and the depiction of figures differ from those found in other Islamic painting.

Rustam is portrayed without his customary leopard helmet and tiger caftan. An unusual detail is Alkus, the whites of his eyes showing as he begins his death throes. The hierarchic perspective in which the heroes are largest and figures in front are smaller is also curious.

Inv. no. 3/1988