Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 23 of 50

Miniature pasted on an album leaf. “Portrait of Fath Ali Shah Qajar”

Iran; 1226 H = 1811
Miniature: 33.7 × 22.8 cm

With this imposing portrait of Fath Ali Shah (1797-1834), we come to the beginning of the Qajar period. The shah is seen with his long beard in full regal splendor, with crown, scepter, jewels, and bejeweled weapons. He is placed in the foreground of a spatially well-defined landscape that reflects European influence and contrasts with the flat, conservative depiction of the shah himself.

The artist was a certain Ahmad, presumably a pupil of Mihr Ali, whose monumental oil paintings are reflected in the composition of this miniature. European influence was growing, but Iran still dominated.

Inv. no. 30/2003