Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 16 of 49

Miniature from a copy of Firdawsi’s Shah-nama. “Isfandiyar’s Fifth Ordeal; He Must Slay the Simurgh”

Iran, Tabriz; between 1520 and 1535
Leaf: 47.5 × 32 cm

One of the most magnificent Persian manuscripts ever produced is undoubtedly the copy of the Book of Kings that was made for the Safavid shahs Ismail I and Tahmasp. It contained 258 paintings, and experts believe that they can identify the work of 15 of the period’s best artists, although only two of the paintings are signed. The result is a sublime synthesis of Turkmen and Timurid painting.

In order to slay the fearful Simurgh, the hero Isfandiyar makes a carriage fitted with blades. After the bird has wounded itself in repeated attacks, the Persian hero jumps out and slays his colorful opponent.

Inv. no. 32/1988