Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 10 of 50
1616

A copy of Farid al-din Attar’s Mantiq al-tayr

Western Iran; c. 1400
Leaf: 16.5 × 11.2 cm

The Sufi poet Farid al-din Attar’s Conference of the Birds is a frame story whose central figure, a hoopoe, is a kind of spiritual leader for a number of other birds. This miniature (fol. 37 verso) is from one of the book’s explanatory anecdotes about how the devout Arab Sheikh Sanan falls in love with a Christian maiden from Rum (Byzantium).

It has not yet been determined whether the manuscript is Jalayirid or early Timurid, but the skilled artist endeavored to imbue the scene with local color. For example, the Madonna-like maiden is found in an exotic building with a church tower. Despite its small format, the depiction is monumental.

Inv. no. 34/2006