Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 49 of 50
1515_16-36-1977-sultan-mustafa-3-bagside-sh-f

Miniature from a Silsile-name. “Portrait of Sultan Mustafa III”

Turkey, Istanbul; 2nd half of 18th century
Leaf: 24 × 17 cm

When this portrait was painted, the Ottomans had already been in power for some 500 years, and genealogies and depictions of state visits, etc. were favorite genres at the court. Mustafa III (1757-1774) is seated exalted and statue-like on a throne very similar to the Topkapi Palace’s “Bayram throne.” The depiction is in keeping with written accounts that the sultans sat in silence at audiences while actual negotiations were carried on by their viziers.

The painting was made by an Armenian, Rafael, and a replica of it is found in the genealogy of the Ottoman sultans, from Osman through Ahmed III, that was made by Levni. This genealogy was later supplemented by Rafael with portraits of the following sultans, up to and including Mustafa IV.

Inv. no. 36/1977