Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 26 of 50

Miniature from a copy of the Tuti-nama. “A Young Woman Visited by the Sultan’s Viziers”

India, Mughal; c. 1570
Miniature: 15.5 × 10.3 cm

Apart from Akbar’s Hamza-nama, the “Cleveland Tuti-nama” is the earliest manuscript that exemplifies the new Mughal style, in which Persian and local Indian elements were combined. The saturated but subdued palette and realistic rendition of the characters, in particular, are typically Indian.

Tales of a Parrot is a frame story whose main character is a talking parrot. Each evening, its owner – a merchant’s wife – tries to leave the house in secret to meet her lover, but the wise bird keeps her occupied for 52 nights, not unlike Sheherazade, by telling her exciting stories.

Inv. no. 40/1980