Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 21 of 50

A copy of Jami’s Yusuf wa Zulaykha

Central Asia, Bukhara; 1095 H = 1683-1684
Miniature: 15.8 × 8.3 cm

A style was developed under the Sunni Shaybanids and Janids in Bukhara in the 16th and 17th century that differed to some extent from that of Safavid Iran, and in the 17th century, the influence of Mughal India was tangible.

The tale of Yusuf and Zulaykha is Jami’s much-loved retelling of the story of Joseph and Potiphar’s wife from the Old Testament and the Koran. On folio 78 of the manuscript, Muhammad Rafi depicted handsome Yusuf with his flock of sheep. He undeniably looks more like a courtier than a shepherd, with his colorful raiment, elegant Persian turban, and Indian dagger with horse-head hilt thrust into a bejeweled belt.

Inv. no. 43/2000