Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 38 of 50

Miniature. “A Palace Complex with Harem Gardens”

India, Faizabad or Lucknow; c. 1765
Miniature: 45.5 × 31.8 cm

The miniature, whose primary motif is a fantastic palace complex populated by a prince’s concubines along with their female servants and guards, in a way depicts the world as one great garden. In the distance we see the prince on the back of an elephant, and on the other side of the river all manner of activities are taking place that form a powerful contrast to the perhaps pleasant but enforced idleness of the women of the harem.

The painting has been attributed to Faiz Allah, one of the many skilled artists who worked in the growing provincial courts at the time when the Mughals’ power was waning. He was familiar with the concept of European linear perspective, but he disregarded its laws, either deliberately or unintentionally.

Inv. no. 46/1980