Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 14 of 50
1616

Miniature from a copy of Firdawsi’s Shah-nama. “Rakhsh Kills an Attacking Lion While Rustam Sleeps”

Iran, Shiraz?; 1460-1480
Leaf: 34.2 × 21.3 cm

The greatest of the Persian heroes in Firdawsi’s Book of Kings is undoubtedly Rustam, who was so big at his birth that he had to be delivered with a cesarean section. He was inseparable from his wise stallion Rakhsh, the only horse that could carry him and – as here – often saved the hero thanks to its courage and sagacity.

The painter, who worked in the Turkmen style, depicted the animals’ bloody struggle against a peaceful and idyllic landscape, and showed Rustam, always ready for battle but sleeping soundly, wearing his characteristic tiger caftan and leopard helmet. A Chinese ling zhi cloud hovers in the golden sky.

Inv. no. 48/2006