Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 45 of 50

Miniature from volume 4 of a copy of Mustafa al-Darir’s Siyar-i-Nabi. “Ali Beheading Nadr ibn al-Harith in the Presence of the Prophet Muhammad”

Turkey, Istanbul; c. 1594
Leaf: 37.5 × 27 cm

Nadr ibn al-Harith had repeatedly mocked the Prophet Muhammad and the Koran, and his execution was consequently completely justified, seen with Muslim eyes. The miniature comes from a six-volume edition of the Life of the Prophet commissioned by Sultan Murad III and made in the court studio in Istanbul.

Ottoman painting had its heyday in the latter half of the 16th century. Its palette was simpler and more straightforward than that of its much-admired models from Iran. There is a detached look about the veiled Prophet and the statue-like bystanders, only one of whom shuts his eyes in horror.

Inv. no. 5/1985