Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 39 of 50

Miniature pasted on an album leaf. “Lovers in a Landscape”

India, Lucknow; 1760-1770
Miniature: 22.2 × 15.2 cm

Like many Mughal artists, Mir Kalan Khan worked in a style that seems quite eclectic. The young, rather irresolute couple seems to be related to the people from Isfahan depicted some 150 years earlier by Riza-i Abbasi, while the more down-to-earth woman entertaining them by playing a long-necked lute is purely Indian. The trees on the right are European, while the indefinable yellow background is quite original – but also very strange.

The artist nonetheless succeeded in creating a painting in which the large plane tree and the foreground in particular – with a lively gathering of animals and birds – are able to bring together the different elements to form a captivating whole.

Inv. no. 50/1981