Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 36 of 50

Miniature. “Khusraw Beholding Shirin Bathing”

India, Deccan, Hyderabad; c. 1720-1740
Miniature: 27.6 × 18.4 cm

The miniature’s motif comes from Nizami’s famous romance about Khusraw and Shirin that was written in Iran at the end of the 12th century. This painting, which was never part of a manuscript, was made in Hyderabad, a state that was created in the Deccan in around 1725 after the Mughal Empire had begun to disintegrate.

The two protagonists and the slightly smaller minor characters – the men in Persian garb, the women in more Indian attire – were placed in a charming puppet-theater landscape that ranges from apple green to violet, with buildings that are completely out of proportion with their surroundings. The style truly lives up to the slightly eccentric reputation of art from the Deccan.

Inv. no. 52/2002