Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 17 of 50

Miniature painted on cotton fabric. “Man with a Saluki”

Iran; c. 1555
Miniature: 18.3 × 13.8 cm

Rarely are Islamic miniatures painted on cloth. This one, which must have been part of an album, was signed Mulla Dust (Dust Muhammad), but was probably made by his pupil, Shaykh Muhammad.

Against a poetic and purely Chinese-inspired landscape we see the classic confrontation between a man and his dog, each wanting to go a different way. Despite the colorful man’s superior force, his worried face gives us an inkling that it is the elegant, sand-colored saluki that will come off the victor. Is this scene a metaphor of the relationship between an older man and his young wife? Empathetic psychological depictions like this are rare in Persian miniature painting.

Inv. no. 53/2000