Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 30 of 50

Miniature. “An Angel Conversing with a Group of Europeans”

India, Mughal; c. 1610
Miniature: 17.9 × 9.5 cm

The Great Mughals Akbar and Jahangir were both religiously tolerant and interested in other faiths, including Christianity. In their meetings with missionaries, they became acquainted with European art, which was more true to life and exerted a decisive influence on Mughal art at an early stage.

In this curious miniature, which is a free paraphrase of an engraving by the German artist Georg Pencz, the Indian artist endeavored to render the domed building with linear perspective, without much success. He did a better job at using aerial perspective, in which the intensity of the colors decreases as distance increases.

Inv. no. 6/1981