Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 34 of 50

Miniature pasted on an album leaf. “Portrait of Sayyid Shah Kallimullah Husayni”

India, Deccan, Golconda; 1670-1680
Miniature: 22 × 13.3 cm

Portraiture was one of the genres that became liberated in earnest in the 17th century from only being an illustration for a text, and it was during this century that Indian portraiture reached its culmination.

Painting in the Deccan was often more intense in its use of color, more exotic, and at times more eccentric than Mughal art. This is also true of the splendid portrait of Sayyid Shah Kallimullah Husayni, a close friend of Golconda’s last ruler, Abu’l-Hasan, before the country was conquered by the Great Mughal Aurangzeb in 1687. The chubby, richly clad Sayyid undeniably looks more like a courtier than a holy man.

Inv. no. 68/1979