Miniature Painting

Miniature Painting

Islamic miniature painting is generally understood to mean small paintings that are or once were part of a manuscript, used as a frontispiece or an illustration for a text. Drawings and individual paintings have, however, also been preserved. They were either sketches or were intended to be placed as independent works of art in an album.

The miniatures usually had a paper base, but cardboard and in rare cases cotton or silk cloth were also used. The brilliant colors are usually opaque.

The oldest preserved miniature paintings were made in around the year 1000, but not until around 1200 were they found in larger numbers. Islamic miniature painting is often categorized rather summarily into four regional schools: the Arab, the Persian, the Indian, and the Ottoman Turkish.

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ISLAMIC ART: MINIATURE PAINTING

Islamic Art: Miniature painting

Item no. 25 of 50

Miniature on cotton tabby from a copy of the Hamza-nama.

“Hamza Burns Zarthust’s Chest and Shatters the Urn with his Ashes”
India, Mughal; c. 1570
Miniature: 68 × 51.4 cm
Formerly in the Art Institute of Chicago

It took some 15 years to complete the Great Mughal Akbar’s copy of the Hamza-nama, which originally contained about 1400 miniatures. This was a gigantic project in every respect, a collaborative effort by Persian and Indian artists that is considered a pioneering work of early Mughal painting.

The book is a fictitious account of the life Hamza, the Prophet Muhammad’s uncle. Here we see Hamza in the process of burning and destroying the earthly remains of the Persian founder of Zoroastrianism, called Zarthust in the manuscript. Zarthust’s granddaughter, Manut, who raises her hands in horror, and the ugly women on the left are depicted as sorceresses.

Inv. no. 72/1998