Gobelinvævet medaljon af silke og forgyldt dyremembran viklet om bomuld

Irak eller vestlige Iran; 14. århundredes 1. halvdel
Diam: 69 cm
Inventarnummer 30/1995
Publiceret i
Kjeld von Folsach, Torben Lundbæk og Peder Mortensen (red.): Sultan, shah og stormogul: den islamiske verdens historie og kultur, Nationalmuseet, København 1996, kat.nr. 133;
Kjeld von Folsach: “Pax Mongolica : an Ilkhanid tapestry-woven roundel” i Hali, 85, March–April 1996, s. 80–87, 117 : ill.;
Robert Hillenbrand: Islamic art and architecture, London 1999, fig. 159, s. 203;
Kjeld von Folsach: Kunst fra islams verden i Davids Samling, København 2001, kat.nr. 642;
Linda Komaroff og Stefano Carboni (red.): The legacy of Genghis Khan: courtly art and culture in Western Asia, 1256-1353, Metropolitan Museum of Art, New York 2002, fig. 195, s. 168, kat.nr. 72, s. 260-261;
Jutta Frings (red.): Dschingis Khan und seine Erben: das Weltreich der Mongolen, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn 2005, kat.nr. 329, s. 287-288;
Sheila S. Blair og Jonathan M. Bloom (red.): Cosmophilia. Islamic Art from the David Collection, Copenhagen, McMullen Museum of Art, Boston College, Boston 2006, kat.nr. 3;
Kjeld von Folsach: For de Udvalgte Få: Islamisk Miniaturemaleri fra Davids Samling, Louisiana, Humlebæk 2007, s. 23, fig. 2;
Tanya Treptow og Donald Whitcomb: Daily life ornamented: the medieval Persian city of Rayy, Oriental Institute Museum of the University of Chicago, Chicago 2007, s. 21;
Yuka Kadoi: Islamic chinoiserie: the art of Mongol Iran, Edinburgh 2009, fig. 1.13, s. 30-31;
Oliver Watson: “The case of the Ottoman table” i Journal of the David Collection, 2010, 3, fig. 28, s. 41;
Lorenz Korn: “A tubular bronze object from Khurasan” i Venetia Porter og Mariam Rosser-Owens (red ): Metalwork and material culture in the Islamic world : art, craft and text : essays presented to James W. Allan, London 2012, note 13, s. 153 (ingen foto);
Kjeld von Folsach: “A set of silk panels from the Mongol period” i Sheila Blair og Jonathan Bloom (red.): God is beautiful and loves beauty: the object in Islamic art and culture, New Haven 2013, s. 216,og  s. 231, fig. 220;
Institute of Ismaili Studies: Encounters in Muslim History, Student reader 1, London 2013, (reprint. 2017), s. 210;
Louise W. Mackie: Symbols of power: luxury textiles from Islamic lands, 7th–21st century, Cleveland 2015, fig. 6.15, s. 230-31;
Anne Dunlop: “Ornament and vice: the foreign, the mobile, and the Cocharelli fragments” i Gülru Necipoglu og Alina Paynes (red.): Histories of ornament: from global to local, Princeton 2016, fig. 18.6, s. 234;
Kjeld von Folsach, Joachim Meyer: Menneskefiguren i islamisk kunstfolk, fyrster og hellige mænd, Davids Samling, København 2017, fig. 21, s. 66;
Susan Whitfield (red.): Silk Roads: peoples, cultures, landscapes, London 2019, fig. 3, s. 17;
Eiren L. Shea: Mongol court dress, identity formation, and global exchange, Abingdon 2020, p. 135, fig. 5.6;
Robert Hillenbrand: The Great Mongol Shahnama, London 2022, fig. 7.9, s. 173; 

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