Samitum-woven silk textile with an enthroned Sasanian king

Iran or Central Asia; 7th-8th century
H: 94; W: 85 cm
Inventarnummer 23/2011
Publiceret i

Kjeld von Folsach: “A Set of Silk Panels from the Mongol Period,” in Sheila Blair and Jonathan Bloom (eds.):  God Is Beautiful and Loves Beauty. The Object in Islamic Art and Culture, New Haven 2013, fig. 224, s. 233;

Kjeld von Folsach and Joachim Meyer: The Human Figure in Islamic Art. Holy Men, Princes and Commoners, The David Collection, Copenhagen 2017, fig. 37, p. 149;

Mariachiara Gasparini: Transcending Patterns. Silk Road Cultural and Artistic Interactions Through Central Asian Textile Images, Honolulu 2020, s. 63-65, pl. 8 (incorrect acc.no. given);

“Silk with Sasanian shahanshah,” [online] in Jill Caskey et al.: Art and Architecture of the Middle Ages. Exploring a Connected World, artofthemiddleages.com;
Touraj Daryaee: “A Fragrance for Every Woman, Man, and Child. The Smell of the Sasanian Empire,” in Antonietta Catanzariti and Touraj Daryaee (eds.): The Sasanians in Context. Art, History, and Archaeology, Washington, DC 2026, fig. 3, p. 114;

Ani Honarchian: “There is Blood on the Zarbāft Silk. To Belong to Ērānšahr According to Syriac and Armenian Sources,” in Antonietta Catanzariti and Touraj Daryaee (eds.): The Sasanians in Context. Art, History, and Archaeology, Washington, DC 2026, fig. 1, p. 136;

Davids Samling

www.davidmus.dk

28. oktober 2026, 13.51