Fritware bottle, painted in blue under a transparent glaze
Syria; beginning of 15th century
H: 28 cm
Inventory number 29/1988
In around 1400, the blue and white pottery that was produced in the Middle East was almost completely under the influence of Chinese export porcelain with blue decoration. At times, the Syrian potters kept to a more Islamic ornamentation, but most often they transferred Chinese decoration to local forms. This pear-shaped bottle is quite an unusual example of Syrians not only copying a Chinese vine with a chrysanthemum, but also directly adopting a Chinese form.
Bottles of this yuhuchun type are found on Timurid miniatures from the 15th century, but it was probably the coveted Chinese originals that were depicted.
Bottles of this yuhuchun type are found on Timurid miniatures from the 15th century, but it was probably the coveted Chinese originals that were depicted.
Published in
Published in
Kjeld von Folsach: Islamic Art. The David Collection, Copenhagen 1990, cat. 143;
Syrie. Mémoire et civilisation, Institut du monde arabe, Paris 1993, p. 456, cat. 352 ;
Kjeld von Folsach, Torben Lundbæk and Peder Mortensen (ed.): Sultan, Shah and Great Mughal. The History and Culture of the Islamic World, National Museum, Copenhagen 1996, cat. 297;
Kjeld von Folsach: Art from the World of Islam in the David Collection, Copenhagen 2001, cat. 205;
David Abulafia et al.: Mediterraneum. Splendour of the Medieval Mediterranean 13th-15th Centuries, History Museum of Catalunya, Barcelona 2004, p. 332;
Sheila S. Blair and Jonathan M. Bloom (ed.): Cosmophilia. Islamic Art from the David Collection, Copenhagen, McMullen Museum of Art, Boston 2006. cat. 89;
Tove Marie Petersen and Jean Jacques Schroeter: “Det dekorerende menneske,” Tegneren, 3, 2007, p. 7;
Kjeld von Folsach: Flora islamica. Plantemotiver i islamisk kunst, Davids Samling, Copenhagen 2013, cat. 17;
Yuka Kadoi: The Blue Road. Mastercrafts from Persia, Liang Yi Museum, Hong Kong 2018, p. 74, cat. C18;
Linda Komaroff (ed.): Dining with the Sultan. The Fine Art of Feasting, Los Angeles County Museum of Art, Los Angeles 2023, p. 150, cat. 14;
Carine Juvin (ed.): Mamlouks: 1250-1517, Musée du Louvre, Paris 2025, p. 181, fig. 133 og p. 344, cat. 133;
Carine Juvin (ed.): Mamluks. Legacy of an Empire, Louvre Abu Dhabi, Paris 2025, pp. 132-133, cat. 58;
Syrie. Mémoire et civilisation, Institut du monde arabe, Paris 1993, p. 456, cat. 352 ;
Kjeld von Folsach, Torben Lundbæk and Peder Mortensen (ed.): Sultan, Shah and Great Mughal. The History and Culture of the Islamic World, National Museum, Copenhagen 1996, cat. 297;
Kjeld von Folsach: Art from the World of Islam in the David Collection, Copenhagen 2001, cat. 205;
David Abulafia et al.: Mediterraneum. Splendour of the Medieval Mediterranean 13th-15th Centuries, History Museum of Catalunya, Barcelona 2004, p. 332;
Sheila S. Blair and Jonathan M. Bloom (ed.): Cosmophilia. Islamic Art from the David Collection, Copenhagen, McMullen Museum of Art, Boston 2006. cat. 89;
Tove Marie Petersen and Jean Jacques Schroeter: “Det dekorerende menneske,” Tegneren, 3, 2007, p. 7;
Kjeld von Folsach: Flora islamica. Plantemotiver i islamisk kunst, Davids Samling, Copenhagen 2013, cat. 17;
Yuka Kadoi: The Blue Road. Mastercrafts from Persia, Liang Yi Museum, Hong Kong 2018, p. 74, cat. C18;
Linda Komaroff (ed.): Dining with the Sultan. The Fine Art of Feasting, Los Angeles County Museum of Art, Los Angeles 2023, p. 150, cat. 14;
Carine Juvin (ed.): Mamlouks: 1250-1517, Musée du Louvre, Paris 2025, p. 181, fig. 133 og p. 344, cat. 133;
Carine Juvin (ed.): Mamluks. Legacy of an Empire, Louvre Abu Dhabi, Paris 2025, pp. 132-133, cat. 58;
