Two leaves from a Koran written in Maghribi
Spain or Morocco; 14th century
Each leaf: 32.4 × 25.6 cm
Inventory number 31a/1989 (verso) & 31b/1989 (recto)
Maghribi is a rather tortuous and decorative variant of Kufi that was used first and foremost in North Africa (the Maghreb) and Muslim Spain. It is often ornamented with diacritical marks in red, green, blue, or yellow, and with gold, as here. The Koran from which these non-continuous leaves were taken is further distinguished by its high-quality, pink-tinted paper.
It is difficult to date and determine the precise geographical origins of Korans from the Maghreb because of the copyists’ conservatism. Most scholars have, however, attributed “The Pink Koran” to Spain, and most have suggested a slightly earlier date than the one estimated here.
It is difficult to date and determine the precise geographical origins of Korans from the Maghreb because of the copyists’ conservatism. Most scholars have, however, attributed “The Pink Koran” to Spain, and most have suggested a slightly earlier date than the one estimated here.
Published in
Published in
Kjeld von Folsach, Torben Lundbæk and Peder Mortensen (eds.): Sultan, Shah and Great Mughal: the history and culture of the Islamic world, The National Museum, Copenhagen 1996, cat. 196;
Kjeld von Folsach: Art from the World of Islam in The David Collection, Copenhagen 2001, cat. 5;
Stig T. Rasmussen: Klassisk arabisk litteratur i oversættelse til dansk: en litteraturhistorisk vejvisende antologi, København 2018, p. 50-51;
Joachim Meyer, Rasmus Bech Olsen and Peter Wandel: Beyond words: calligraphy from the World of Islam, The David Collection, Copenhagen 2024, cat. 12, pp. 134-135;
Rasmus Bech Olsen: “Beyond words: calligraphy from the World of Islam”, Orientations, 55:4, 2024, fig. 7, p. 37;
Kjeld von Folsach: Art from the World of Islam in The David Collection, Copenhagen 2001, cat. 5;
Stig T. Rasmussen: Klassisk arabisk litteratur i oversættelse til dansk: en litteraturhistorisk vejvisende antologi, København 2018, p. 50-51;
Joachim Meyer, Rasmus Bech Olsen and Peter Wandel: Beyond words: calligraphy from the World of Islam, The David Collection, Copenhagen 2024, cat. 12, pp. 134-135;
Rasmus Bech Olsen: “Beyond words: calligraphy from the World of Islam”, Orientations, 55:4, 2024, fig. 7, p. 37;
Al-Andalus, Muslim Spain
Fragmented figure of a horse, earthenware covered with a whitish slip and painted in green and manganese under a slightly toned, poorly preserved glaze
Earthenware dish, decorated with green and manganese
Wellhead, earthenware painted in green and a manganese-colored glaze
Earthenware bowl with handles, painted with a green and manganese glaze